A rhyming tribute to a budding young artist.
A rhyming tribute to a budding young artist.
Essential facts, authoritative opinions and a provocative list of the most influential designers.
Design: The Definitive Directory of Modern Design is a dynamic and comprehensive guide to the subject. Global in scope, this book includes architecture, industrial design, furniture, fashion, cars, clothing, graphics, consumer products, signs and much more — all complemented by 300 color photographs. There are also up-to-date profiles of the innovators and visionaries past and present whose achievements have forever changed the way we view ourselves and the world.
A series of essays outlines the role of design in modern cultural history and includes Terence Conran’s definition of design. The main section of the book is an A-Z directory of the most influential people, products and processes of the past and present centuries and includes biographies of leading designers. The authors also share their personal views on today’s newest achievers.
Among the topics examined:
Up to date, provocative and completely original, Design will be a sourcebook for professional designers, an essential guide for students of design, and a revelation for general readers hungry for information about design and designers.
Highlights:
The featured subjects include, among many others:
(20071215)
Essential facts, authoritative opinions and a provocative list of the most influential designers.
Design: The Definitive Directory of Modern Design is a dynamic and comprehensive guide to the subject. Global in scope, this book includes architecture, industrial design, furniture, fashion, cars, clothing, graphics, consumer products, signs and much more — all complemented by 300 color photographs. There are also up-to-date profiles of the innovators and visionaries past and present whose achievements have forever changed the way we view ourselves and the world.
A series of essays outlines the role of design in modern cultural history and includes Terence Conran’s definition of design. The main section of the book is an A-Z directory of the most influential people, products and processes of the past and present centuries and includes biographies of leading designers. The authors also share their personal views on today’s newest achievers.
Among the topics examined:
Up to date, provocative and completely original, Design will be a sourcebook for professional designers, an essential guide for students of design, and a revelation for general readers hungry for information about design and designers.
Highlights:
The featured subjects include, among many others:
(20071215)
The easy-to-implement activities and strategies in this book will help middle and high school foreign language teachers enhance their students’ success. It shows how to create a classroom in which students can actively experience, experiment and discover a foreign language. It applies brain research, multiple intelligences, alternative assessment, technology and other educational innovations to the foreign language classroom.
The easy-to-implement activities and strategies in this book will help middle and high school foreign language teachers enhance their students’ success. It shows how to create a classroom in which students can actively experience, experiment and discover a foreign language. It applies brain research, multiple intelligences, alternative assessment, technology and other educational innovations to the foreign language classroom.
Teaching Adult Second Language Learners addresses the needs of adults studying English. It provides a useful summary of the principles involved in teaching adults as well as a wealth of activities specifically designed for adult learners. The text is divided into three sections: Section I provides an introduction to the adult language learner and discusses the issues of assessment/placement and course/lesson organization. Section II gives teachers techniques for building community in the classroom. Section III provides activities designed for students at various levels that are organized thematically around topics such as self-identification, food, clothing, and work.
Teaching Adult Second Language Learners addresses the needs of adults studying English. It provides a useful summary of the principles involved in teaching adults as well as a wealth of activities specifically designed for adult learners. The text is divided into three sections: Section I provides an introduction to the adult language learner and discusses the issues of assessment/placement and course/lesson organization. Section II gives teachers techniques for building community in the classroom. Section III provides activities designed for students at various levels that are organized thematically around topics such as self-identification, food, clothing, and work.
Throughout his professional life, Herman Melville displayed a keen interest in the visual arts. He alluded to works of art to embellish his poems and novels and made substantial use of the technique of ekphrasis, the literary description of works of visual arts, to give body to plot and character. In carefully tracing Melville’s use of the art analogy as a literary technique, Douglas Robillard shows how Melville evolved as a writer.
Melville studied histories of art, lives of painters, and aesthetic treatises, went to museums and exhibitions of art works, made pilgrimages to the art centers of Europe during the 1840s and 1850s, and collected prints and illustrated books. He created narrators and central characters–Wellingborough Redburn, Ishmael, Pierre Glendinning, and Clarel–who were sensitive to the arts and capable of seeing and describing the world in painterly terms. Robillard also explores the works of the predecessors and contemporaries that influenced Melville and shows how his sense of form was instructed by design in works of art.
In separate chapters Robillard deals at length with Redburn, Moby-Dick, Pierre, and Clarel. In briefer discussions he looks at The Piazza Tales and the shorter poems. His extensive history of what Melville saw, responded to, and valued offers new insights into Melville’s creative processes.
Throughout his professional life, Herman Melville displayed a keen interest in the visual arts. He alluded to works of art to embellish his poems and novels and made substantial use of the technique of ekphrasis, the literary description of works of visual arts, to give body to plot and character. In carefully tracing Melville’s use of the art analogy as a literary technique, Douglas Robillard shows how Melville evolved as a writer.
Melville studied histories of art, lives of painters, and aesthetic treatises, went to museums and exhibitions of art works, made pilgrimages to the art centers of Europe during the 1840s and 1850s, and collected prints and illustrated books. He created narrators and central characters–Wellingborough Redburn, Ishmael, Pierre Glendinning, and Clarel–who were sensitive to the arts and capable of seeing and describing the world in painterly terms. Robillard also explores the works of the predecessors and contemporaries that influenced Melville and shows how his sense of form was instructed by design in works of art.
In separate chapters Robillard deals at length with Redburn, Moby-Dick, Pierre, and Clarel. In briefer discussions he looks at The Piazza Tales and the shorter poems. His extensive history of what Melville saw, responded to, and valued offers new insights into Melville’s creative processes.
From the prehistoric cave paintings to Andy Warhol’s soup cans, this lively chronicle surveys the rich history of artistic expression. INSTANT ART HISTORY examines such geniuses as Michelangelo, da Vinci, Rembrandt, Renoir, van Gogh, and the Impressionists as well as Dali, Matisse, Picasso, Kandinsky, and Lichtenstein.
With INSTANT ART HISTORY you’ll learn:
* How Mona Lisa’s smile changed forever the grim face of portrait sitters.
* The differences between Analytic and Synthetic Cubism.
* How the avant-garde movements of Constructivism, Dadaism, and Surrealism of the 1920s redefined how society viewed art.
* How the action paintings of the Abstract Expressionists allow the viewer to “feel” a painting, not just see it.
From the prehistoric cave paintings to Andy Warhol’s soup cans, this lively chronicle surveys the rich history of artistic expression. INSTANT ART HISTORY examines such geniuses as Michelangelo, da Vinci, Rembrandt, Renoir, van Gogh, and the Impressionists as well as Dali, Matisse, Picasso, Kandinsky, and Lichtenstein.
With INSTANT ART HISTORY you’ll learn:
* How Mona Lisa’s smile changed forever the grim face of portrait sitters.
* The differences between Analytic and Synthetic Cubism.
* How the avant-garde movements of Constructivism, Dadaism, and Surrealism of the 1920s redefined how society viewed art.
* How the action paintings of the Abstract Expressionists allow the viewer to “feel” a painting, not just see it.
Seven years in the making, 600 entries, 5,200 illustrations…
An unprecedented architecture encyclopedia
Unlike most architecture encyclopedias, which tend to concentrate more on buildings and floor plans than their designers, this tome puts the architects in the spotlight, profiling individuals so that readers can get a clear overview of their bodies of work. Each architect’s entry features a portrait, quote, and short biography as well as a description of important works, historical context, and general approach; illustrations include numerous drawings, photographs, and floor plans. The book’s A to Z entries cover not only architects but also groups, movements, and styles from the 18th to the 21st centuries. With 600 entries and 5,200 illustrations, The A–Z of Modern Architecture is a comprehensive resource that no architecture professional, fan, or student should be without.
Features:
• 566 architects from the 18th to the 21st century
• Architect portrait, quote, and short biography
• Description of important works, historical
context, and general approach
• Numerous drawings, photographs, and plans
Seven years in the making, 600 entries, 5,200 illustrations…
An unprecedented architecture encyclopedia
Unlike most architecture encyclopedias, which tend to concentrate more on buildings and floor plans than their designers, this tome puts the architects in the spotlight, profiling individuals so that readers can get a clear overview of their bodies of work. Each architect’s entry features a portrait, quote, and short biography as well as a description of important works, historical context, and general approach; illustrations include numerous drawings, photographs, and floor plans. The book’s A to Z entries cover not only architects but also groups, movements, and styles from the 18th to the 21st centuries. With 600 entries and 5,200 illustrations, The A–Z of Modern Architecture is a comprehensive resource that no architecture professional, fan, or student should be without.
Features:
• 566 architects from the 18th to the 21st century
• Architect portrait, quote, and short biography
• Description of important works, historical
context, and general approach
• Numerous drawings, photographs, and plans
Enter the world of science as Bill Bryson unmasks the mysteries of the universe.
Did you know that:
• Every atom in your body has almost certainly passed through several stars and been part of millions of organisms on its way to being you?
• If you are an average-sized kid, you have enough potential energy inside you to explode with the force of several hydrogen bombs?
And—What happened to dinosaurs? How big is the universe? Why are oceans salty? Is a meteor going to hit us?
Tackling everything from the Big Bang to the rise of civilization, Bill Bryson’s inimitable storytelling skill makes the why, how, and, just as importantly, the who of scientific discovery entertaining and accessible for young readers.
Enter the world of science as Bill Bryson unmasks the mysteries of the universe.
Did you know that:
• Every atom in your body has almost certainly passed through several stars and been part of millions of organisms on its way to being you?
• If you are an average-sized kid, you have enough potential energy inside you to explode with the force of several hydrogen bombs?
And—What happened to dinosaurs? How big is the universe? Why are oceans salty? Is a meteor going to hit us?
Tackling everything from the Big Bang to the rise of civilization, Bill Bryson’s inimitable storytelling skill makes the why, how, and, just as importantly, the who of scientific discovery entertaining and accessible for young readers.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
“30,000 Years of Art” presents 1000 great works of art from all periods and regions in the world, arranged in chronological order for a general readership. Breaking through the usual geographical and cultural boundaries of art history, it celebrates the vast range of human artistry across time and space. Each work is accompanied by key caption information (date, title, place of origin, style or culture, medium, dimensions etc.), and a short text providing more information and explaining the art historical context. The book presents art in a way different from other art history compendia, revealing the huge diversity, or in many cases similarity, of man’s artistic achievements through time and around the globe. Ordered chronologically, the resulting timeline of works leads to compelling browsing: surprising juxtapositions offer intellectual pleasure and a sense of wonder and discovery. The selection of works from across the world, arranged in the sequence in which they were made, take the reader on a global and historical journey, as a Chinese Shang urn stands next to a Mycenaean vase, and Michelangelo’s Slave is followed by a contemporaneous male sculpture from Nigeria. The chronological arrangement responds to such questions as where does the earliest art appear? What were artists creating in China or Africa while Rembrandt was painting self-portraits in Leyden? How were similar subjects – equestrian themes, landscapes, religious scenes – manipulated by artists in Aztec Mexico and Medieval Europe? Although the sequence of works in the book is strictly chronological, the selection of entries for an individual culture comprises an abbreviated history of the art of that people. Thus, while artworks from ancient Greece or the European Renaissance or pre-Columbian Americas are interspersed with contemporaneous works created in Africa, India or Japan, an extraction of the Greek or Renaissance or American works could stand alone as an essential abridgement of the finest art of that period or culture.
“30,000 Years of Art” presents 1000 great works of art from all periods and regions in the world, arranged in chronological order for a general readership. Breaking through the usual geographical and cultural boundaries of art history, it celebrates the vast range of human artistry across time and space. Each work is accompanied by key caption information (date, title, place of origin, style or culture, medium, dimensions etc.), and a short text providing more information and explaining the art historical context. The book presents art in a way different from other art history compendia, revealing the huge diversity, or in many cases similarity, of man’s artistic achievements through time and around the globe. Ordered chronologically, the resulting timeline of works leads to compelling browsing: surprising juxtapositions offer intellectual pleasure and a sense of wonder and discovery. The selection of works from across the world, arranged in the sequence in which they were made, take the reader on a global and historical journey, as a Chinese Shang urn stands next to a Mycenaean vase, and Michelangelo’s Slave is followed by a contemporaneous male sculpture from Nigeria. The chronological arrangement responds to such questions as where does the earliest art appear? What were artists creating in China or Africa while Rembrandt was painting self-portraits in Leyden? How were similar subjects – equestrian themes, landscapes, religious scenes – manipulated by artists in Aztec Mexico and Medieval Europe? Although the sequence of works in the book is strictly chronological, the selection of entries for an individual culture comprises an abbreviated history of the art of that people. Thus, while artworks from ancient Greece or the European Renaissance or pre-Columbian Americas are interspersed with contemporaneous works created in Africa, India or Japan, an extraction of the Greek or Renaissance or American works could stand alone as an essential abridgement of the finest art of that period or culture.